Welcome back to our ‘Behind the Lens’ series! Following our deep dive into capturing the wedding ceremony, it is time to talk about one of the most iconic, high-energy moments of the entire day, the confetti throw.
Whether you are a couple planning your timeline or a photographer figuring out how to organise a large crowd of excited guests, this post will walk you through exactly how I orchestrate and photograph the perfect confetti moment.
1. The Pre-Wedding Prep
Great confetti shots do not happen by accident. The preparation actually starts weeks before the wedding during my consultation call with the couple. I always make sure we are on the same page regarding expectations, and I highly recommend scheduling the confetti throw immediately after the ceremony.
Why? Because everyone is already gathered together in one place. Once your guests start mingling, heading to the bar, or checking into their rooms, it can be incredibly difficult to herd everyone back together!
2. Choosing the Location
Usually, the classic setup involves forming two rows coming straight out of the venue entrance. However, every venue is different, so I remain flexible:
Sideways Angles: If the pathway leads off in a different direction or space is tight right at the door, we can easily angle the lines.
Gardens and Archways: Sometimes a venue has a beautiful outdoor garden or a dedicated archway that offers much more space and a better backdrop.
Keeping it Accessible: Wherever we choose, I always ensure it is a short enough walk so that any guests with mobility issues can comfortably join in without having to travel far.
3. Organising the Crowd
Once we have our location, I gather all the guests and get them into two even rows on either side of the pathway.
The secret to a great composition here is space. I make sure the rows are wide enough so the couple has plenty of room to walk down the middle without getting cramped. If the lines are too tight, the couple ends up having to dodge people, and the final photos look cluttered with too many arms and bodies blocking the view.
4. The Guest Brief (How to Throw)
Before the couple comes out, I give the guests a very quick, friendly briefing. My golden rule is to tell everyone to throw their confetti above and in front of the couple, rather than directly at them.
When people throw it directly at the couple, it tends to look like a projectile, it does not spread very far, and it often just hits them in the face. Throwing it up and forward allows the confetti to flutter down beautifully, keeping it in the shot for much longer and creating that magical, immersive effect.
A Note on Bubbles: I absolutely love it when couples opt for bubbles instead of traditional confetti! Bubbles add incredible vibrancy, they catch the light beautifully, and they reflect all the surrounding colours. However, I strongly recommend hiring bubble machines rather than relying on individual bubble sticks to ensure you get enough volume for the photos. You can read my full thoughts on this in my dedicated post, Why We Love Bubble Machines for Your Wedding Exit.
5. Briefing the Couple
While the guests are getting into position, I pop back inside to speak to the couple. My main piece of advice for them is simple, walk slower than you normally would.
Confetti lines are sometimes quite short, especially if you have a smaller guest list. Walking slowly does two things. Firstly, it ensures I have enough time to capture plenty of frames. Secondly, and most importantly, it prolongs the experience! We do not want this magical moment with your friends and family to be over in five seconds, so take your time, look around, and soak it all in.
6. The Technique: Walking Backwards
Once everyone is ready, I step out with the couple. Much like the ceremony exit, I position myself about halfway down the confetti aisle to ensure no excited guests step out into the middle and block the shot.
As the couple walks forward, I walk backward, taking it one step at a time while keeping a consistent distance.
Gear & Camera Settings
For this high-action moment, my gear choices are very deliberate:
Focal Length: I usually stay locked at 35mm. It provides the perfect balance, capturing the couple clearly while still including the cheering guests on either side.
Going Wider: If the space is incredibly tight, I will sometimes switch to a 24mm lens to make sure I can still fit a good number of people in the frame.
Settings: Because there is so much movement, I rely on my continuous autofocus (AF-C) and burst mode, ensuring my shutter speed is fast enough to freeze the fluttering confetti in mid-air, normally 1/500s minimum or 1/250s if in lower light.
FAQs
What type of confetti is best for photos?
We always recommend large, biodegradable paper confetti or dried flower petals. Larger pieces float in the air much longer than fine, glitter-like confetti, which tends to just fall straight to the ground and is often banned by venues!
How much confetti should we actually buy?
A good rule of thumb is to provide enough for at least half of your guests to have a generous handful. However, when it comes to confetti photos, more is always better! If your venue allows it, buying in bulk ensures a beautifully dense shower of colours.
What if it rains on our wedding day?
Do not worry at all! If the weather turns, we can often set up an indoor confetti tunnel in a hallway or the main reception room just as you make your grand entrance for the wedding breakfast.
How do you stop your camera from focusing on the confetti instead of the couple?
This is a common hurdle! I make sure my Single Point Expanded Tracking is locked firmly onto the couple’s faces beforethe confetti starts flying. Sony’s continuous autofocus (AF-C) is brilliant at ignoring the foreground distractions as long as you have that initial lock on your subject.
How do you walk backwards safely while shooting?
It takes a bit of practice! I always do a quick mental sweep of the pathway before the couple starts walking, noting any uneven paving stones or steps. By starting halfway down the line, I also give myself a clear, straight path to move back into without worrying about tripping over guests.
